broadcast.null

Transmission Terminal

Artist Belma Bešlić-Gál
Format Interactive installation: web terminal, headphone audio, analog postcards
Categories Internet · Digital Occultism · Creative Coding · Music Tech

broadcast.null is a transmission terminal addressing a ship whose existence remains undetermined. Part of the larger work ark.await(∞), it occupies the programming concept of null: a channel that is open, an address that is declared, a value that is indeterminate. The terminal transmits the way Sisyphus pushes: as a continuous practice in the face of radical unknowability.

Through twelve interactive modules, visitors send messages that dissolve (recipients: 0), listen to a procedural radio scanning through layered noise, watch a ship's log type testimony across millennia, exchange words with a damaged communication channel that oscillates between static and unsettling recognition, complete literary fragments in transmissions too corrupted to verify, enter their name into a guestbook that forgets, and clear procedural fog whose disturbance ripples through other modules in ways the visitor may sense but cannot confirm. Everything passes into DER RAUM, a shared visual sediment where individual transmissions become collective, unrecognisable. Before leaving, a boarding record: evidence of having been aboard.

The terminal runs as a live web platform. All interactions, on site and remote, feed the same system in real time. DER RAUM accumulates. The passenger count grows. The terminal persists beyond any single exhibition.

The submitted version is a functional prototype: all twelve modules are operational, visitors can move through the entire work. The content of individual modules, particularly the literary material, is a working draft; final elaboration of each module will be developed to exhibition standard. Sound composition, visual design for large-format display, cross-module sonic refinement, and thermal printer integration will be finalised for presentation.